By Mark WherryMagix Samplitude Professional 7.1.The latest version of Magix's popular recording software adds support for native audio standards including ASIO and VST, as well as some tasty new features such as full plug-in delay compensation.Samplitude is one of the longest-serving native-based digital audio workstations currently available, and has been passed around many different companies over the years, including SEK'D, a brief tenure at Emagic cut short by Apple, and Magix. Over this time, Samplitude has developed a loyal following and is now used for professional audio recording, mastering and post-production work all over the world, as an alternative to competing and perhaps better-known systems such as Nuendo and Pro Tools. Magix Samplitude 7.1 £658pros.

• Magix Sequoia 7.22 Series

Flexible signal routing with full delay compensation. Integrated CD mastering and archiving tools. The Room Simulator with its collection of impulses is a valuable addition.cons. Automating events other than volume and pan is cumbersome. The MIDI and VST Instrument support has much room for improvement.summarySamplitude is a powerful all-in-one audio production system, capable of handling a project from the first recording through to Red Book CD mastering and archiving. While it faces competition from the likes of Nuendo, Samplitude is a mature and professional product that continues to evolve, with the developers being responsive to the needs of their users.One of the reasons Samplitude has become popular amongst its user base is that it really delivers on the all-in-one promise made by so many developers, offering full Red Book-compatible CD mastering facilities in addition to multitrack audio recording, editing and mixing capabilities. However, like most DAWs, Samplitude has had its shortcomings, and most have these have been addressed in version 7.0, which now includes support for ASIO drivers, VST plug-ins (including VST Instruments), and hardware control surfaces.

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And imagine my delight when Magix released version 7.1 just days before the deadline for this review, offering even more functionality including a 'freeze' feature inspired by the release of Logic 6.In terms of the all-important numbers, Samplitude offers a maximum of 999 audio and/or MIDI tracks (SamplitudeClassic is limited to 64 — see Professional Vs Classic box for more information), the ability to handle sampling rates up to 192kHz, and internal 32-bit floating-point processing for support of both 16 and 24-bit resolutions. X^3 graph. And when it comes to dithering your digital signals, Samplitude 7 also implements the renowned POW-R (Psycho-acoustically Optimised Word length Reduction) algorithm. From an editing perspective, Samplitude includes features that are now regarded as indispensable in an audio workstation, such as unlimited undo and batch processing, along with some networking features for sharing work across many computers — an ability that's becoming increasingly important.An interesting decision recently taken by Magix when they took on the distribution of Samplitude 7 was to introduce the 'SAM for Rent' sales model, where instead of paying out a single lump sum for Samplitude, you pay a small monthly amount to rent the software from Magix (surf to for details). At a time when piracy is becoming a serious issue for music software developers, I think this is a commendable move, even though some potential users will baulk at the fact the minimum rental period is more than two years — 25 months. However, Magix have to protect their product, and a demo version is available so you can try before you buy.One of the initially striking aspects of Samplitude is its relatively low system requirements, especially when compared with other native-based audio workstations. The manual suggests a 200MHz Pentium as the minimum for writing audio CDs and general audio editing, a Pentium II for real time processing with the standard effects, and a Pentium III for real-time processing with mix master effects. That said, Samplitude is optimised for Pentium III, 4, and Athlon XP processors, and Magix's web site recommends a 700MHz Pentium III or Athlon for mastering and a 1.8GHz Pentium 4 or Athlon for multitrack recording.Samplitude is compatible with all versions of Windows from 98 and NT4 onwards, and Magix recommend a minimum of 64MB RAM for Windows 9x/ME and 128MB for NT-based Windows versions.

However, personally I wouldn't even think of using a computer with those amounts of memory these days, although Windows did report that Samplitude was using less than 30MB of memory when it was first launched. Magix's web site is slightly more realistic about these specifications than their documentation, recommending the use of Windows XP and at least 256MB RAM.The installation itself is a simple matter of inserting the CD, fending off the Director introduction screen if you have Auto Play activated in Windows, and running the installer. You won't have to reboot after the installation, and something that initially impressed me was the fact Samplitude only took a couple of seconds to launch, compared with the tens of seconds that applications such as a Cubase, Logic and Nuendo usually take. Admittedly, it seems to look through your VST plug-in folder in the background after the application proper has loaded, which is cheating, but it's commendable nonetheless.Samplitude is copy-protected with the dreaded challenge-and-response code system, although you can obtain (and pay extra, of course) for a dongle if you'd rather, and personally I think this is preferable, especially if you want to use Samplitude on multiple computers. However, Magix offer a seven-day grace period to obtain the appropriate response code, during which time Samplitude is fully functional, and this code is generated automatically by their web site after clicking a link from within Samplitude and entering some registration information.Since modern operating system like Windows XP have networking features whether you like it or not, the practice of keeping studio machines away from the Internet makes increasingly less sense, especially when direct Internet access makes the registration process for applications like Samplitude so much easier.

However, if you're not able to get Internet access on the computer running Samplitude, you can scribble down the challenge code and enter this manually on the registration web site. Magix apparently allow a maximum of three response different codes automatically before questions are asked, although users who do want to use Samplitude on different computers or, as Magix so eloquently put it, 'change their computer's configuration more often than their underwear', will probably be better off with the dongle option. All contents copyright © SOS Publications Group and/or its licensors, 1985-2019. All rights reserved.The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents.

Magix Sequoia 7.22 Series

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